The padded tensing ring is a new way to secure the reed inside saxophone and clarinet mouthpieces replacing the conventional ligature system. It frees the reed without forcing it. The fact that the ring touches neither the mouthpiece nor the reed means vibration loss is cut and greater sound projection is achieved, thus allowing for subtler control and effects.

Fortissimo Mouthpiece Cap - Clarinet (Gold) Specially designed with a gripping "tongue", the Fortissimo cap does not need to extend to the ligature area of the mouthpiece. Therefore, Fortissimo mouthpiece caps can be used with almost any ligature style...

Mouthpiece caps can protect the reed from possible damage from impact when it is in the mouthpiece.

Fortissimo Alto Saxophone Mouthpiece Cap (Gold)

The padded tensing ring is a new way to secure the reed inside saxophone and clarinet mouthpieces replacing the conventional ligature system. It frees the reed without forcing it. The fact that the ring touches neither the mouthpiece nor the reed means vibration loss is cut and greater sound projection is achieved, thus allowing for subtler control and effects.

The padded tensing ring is a new way to secure the reed inside saxophone and clarinet mouthpieces replacing the conventional ligature system. It frees the reed without forcing it. The fact that the ring touches neither the mouthpiece nor the reed means vibration loss is cut and greater sound projection is achieved, thus allowing for subtler control and effects.

The padded tensing ring is a new way to secure the reed inside saxophone and clarinet mouthpieces replacing the conventional ligature system. It frees the reed without forcing it. The fact that the ring touches neither the mouthpiece nor the reed means vibration loss is cut and greater sound projection is achieved, thus allowing for subtler control and effects.

The padded tensing ring is a new way to secure the reed inside saxophone and clarinet mouthpieces replacing the conventional ligature system. It frees the reed without forcing it. The fact that the ring touches neither the mouthpiece nor the reed means vibration loss is cut and greater sound projection is achieved, thus allowing for subtler control and effects.